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HAUT​[​R​]​EUR – Eva Atmatzidou

Does the idea of audience affect composing decisions? Is it really possible for a composer to create with no affection of -at least the idea of- audience? What kind of conscious or unconscious decisions might be affected and how? Would this make audience an invisible ‘composing’ part of the final work of music? Isn’t the composer a part of the audience?

Fixed electronics, graphic scores, aleatoric and fugue techniques, a typewriter, synaesthesia and a series of poems written by Eva Atmatzidou under the title ‘Miniatures from a room with Acropolis view’ are some of the ingredients mixed. The questions remain questions, the poems are never heard, but these five musical constructions exist because of them.

Eva Atmatzidou

Eva Atmatzidou is a modern fingerstyle guitarist and composer from Greece. She has studied Classical guitar, Classical and Modern Harmony, Counterpoint, Fugue, Composing music in Theatre, Psychology and she is currently completing her Master in Philosophy and Arts (MA). She has released 3 albums of different genres; songwriting, solo fingerstyle acoustic guitar music and fixed electronics. Her fingerstyle guitar album was internationally released by the American label Candyrat Records in 2016 and she performs her music as a solo fingerstyle guitarist and composer in several countries at concerts and festivals.

The last years, her research interest has been focused on the permeable sides of identities and the not so obvious affection of socially constructed roles in works of music. She also publishes her (Greek) poems in hand to hand limited editions.

Eva Atmatzidou website

Credits

Composed, produced and mixed by Eva Atmatzidou
Mastered by Dimitris Dellis, Studio 222
Photography and Artwork by Anna Tagkalou
Eva Atmatzidou’s photos by Vasia Anagnostopoulou
Distribution by Elektramusic Berlin – Paul Clouvel
2024 © all rights reserved by Eva Atmatzidou – Elektramusic Berlin